Michael Bay pushed the technical limits of modern cinema by making this the first feature film shot extensively using .
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To bring this metallic chaos to life, the production utilized a multitude of high-end camera formats, including IMAX 3D, which captured stereoscopic images at . The sheer complexity of the work led ILM's Visual Effects Supervisor, Scott Farrar, to call the movie the "largest data wrangling picture I've ever done... the largest in ILM's history" . The result is a sensory onslaught of world-class CGI, where every explosion, transformation, and crumbling skyscraper is rendered with a level of detail that demands to be seen in the highest fidelity. Michael Bay pushed the technical limits of modern
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