| Publisher: | MOBOTIX AG |
|---|---|
| Author: | Bernd Wilhelm Thilo Schüller |
| Date: | 2025-12-16 |
| Document: | release-notes_V5.4.10.4_en_v1.1.html |
| Confidentiality: | public |
These Release Notes contain a technical description of the most important changes in the software for the MOBOTIX network cameras.
| Release Version | Creation Date | Publishing Date |
|---|---|---|
| MX-V5.4.10.4 | 2025-11-10 | 2025-12-16 |
| MX-V5.4.9.9-r1 | 2024-10-22 | 2024-10-24 |
| MX-V5.4.9.4-r3 | 2024-06-14 | 2024-06-17 |
| MX-V5.4.9.4-r1 | 2023-10-04 | 2023-10-16 |
| MX-V5.4.9.4 (replaced by MX-V5.4.9-r1) |
2023-06-01 | 2023-06-16 |
| MX-V5.4.8.4-r2 | 2023-02-24 | 2023-03-03 |
| MX-V5.4.8.4 | 2022-12-01 | 2022-12-07 |
| MX-V5.4.7.12 | 2022-08-26 | 2022-09-02 |
| MX-V5.4.6.7 | 2022-01-27 | 2022-02-15 |
| MX-V5.4.6.6 (replaced by MX-V5.4.6.7) |
2022-01-07 | 2022-01-27 |
| MX-V5.4.6.3 | 2021-09-21 | 2021-09-28 |
| MX-V5.4.0.55 | 2021-04-21 | 2021-06-02 |
| MX-V5.4.0.49 | 2020-12-11 | 2020-12-16 |
| MX-V5.4.0.45 | 2020-11-09 | 2020-11-12 |
| MX-V5.4.0.44 | 2020-09-17 | 2020-09-18 |
| MX-V5.2.6.7 | 2020-06-16 | 2020-06-24 |
| MX-V5.2.6.4 | 2020-05-15 | 2020-05-20 |
| MX-V5.2.6.2 | 2020-04-23 | 2020-05-05 |
| MX-V5.2.5.15-r1 | 2020-03-05 | 2020-03-12 |
| MX-V5.2.5.15 (replaced by MX-V5.2.5.15-r1) |
2020-01-28 | 2020-02-14 |
| MX-V5.2.4.15-r2 | 2019-09-25 | 2019-10-01 |
| MX-V5.2.4.15 |
2019-07-26 | 2019-07-31 |
| MX-V5.2.3.30 | 2019-04-11 | 2019-04-15 |
| MX-V5.2.1.4 | 2018-12-20 | 2018-12-20 |
| MX-V5.2.0.61 | 2018-10-30 | 2018-11-02 |
| MX-V5.1.0.99-r4 | 2018-10-24 | 2018-11-06 |
| MX-V5.1.0.99-r3 (replaced by MX-V5.1.0.99-r4) |
2018-07-11 | 2018-07-13 |
| MX-V5.1.0.99 (replaced by MX-V5.1.0.99-r3) |
2018-06-15 | 2018-06-15 |
| MX-V5.0.2.14 | 2018-02-07 | 2018-02-14 |
| MX-V5.0.1.53 | 2017-10-26 | 2017-11-20 |
| MX-V5.0.0.133 | 2017-07-21 | 2017-08-08 |
| MX-V5.0.0.130 | 2017-06-21 | 2017-07-14 |
| MX-V5.0.0.127 | 2017-04-27 | 2017-05-05 |
Creation Date: 2025-11-10
Publishing Date: 2025-12-16
V1.1.0.6V1.1.0.6V1.1.0.0V1.0.2.21V1.1.0.0V1.0.0.14V1.0.0.15V1.0.0.5V1.1.0.1These firmware releases have not changed as compared to the
predecessor camera software release MX-V5.4.9.9-r1.
evenstream.jpg is abortedevenstream.jpg,
for example by the MxManagementCenter, are now better handled. In this case, a message "hh:mm:ss STREAM eventstream[nnnn] Closing stream to 10.xx.yyy.zzz. Write timeout."
is written to the system messages, which suggests an external interruption of the data stream due to network disturbances or a failure of the eventstream client
as the cause of the problem.
The software contains the
same known limitations as the version MX-V5-4-9-9-r1.
A fictional capturing a cafe interaction in the city
He waited nine nights. On the tenth, the door of Café Khwab-e-Sehar creaked open at 8:17 PM sharp. Zara stood there, not in her usual shawl, but in a faded khussa (traditional shoes) and a loose kameez. Her eyes were red but dry. She walked to the corner table, sat down, and said:
Saddar is the historic heart of Rawalpindi. The cafes here blend old-world colonial charm with modern aesthetics. Romantic storylines in Saddar often feature university students from nearby colleges, characterized by tight budgets but deep intellectual connections. Bahria Town & DHA: The Contemporary Bubble pakistan rawalpindi net cafe sex scandal 3gp hot
[Traditional Public Spaces] ──> High Scrutiny & Limited Privacy │ ▼ [Modern Cafe Culture] ──> Safe Haven, Anonymity & Freedom of Expression │ ▼ [New Romantic Storylines] ──> Intellectual Intimacy & Modern Milestones
Rawalpindi is a gateway to the north. Its cafes act as the waiting rooms for lovers torn apart by distance. These storylines are heavy with melancholy and the frantic joy of "just a few hours." A fictional capturing a cafe interaction in the
Furthermore, this culture is redefining how partnerships are formed. It allows young people the time and space to truly know each other—intellectually, emotionally, and socially—before involving their families, leading to more intentional and self-determined relationships. Conclusion: The Changing Canvas of Love
This piece uses the café as a third character—a witness, a confessor, and a bridge between two wounded people who find not rescue, but resilience, in each other. Her eyes were red but dry
Love in the City of Soldiers: The Evolution of Romance in Rawalpindi’s Cafe Culture
For the younger generation, visual aesthetics and romance go hand in hand. The upscale sectors of Phase 4 and Phase 7 in Bahria Town, along with DHA, host high-end cafes featuring minimalist decor, rooftop views, and floral arrangements.
Ayan pushed a glass of karak toward her. Steam rose between them, blurring the edges.
3. Commercial Market and Satellite Town: The Comfort of the Familiar