Rmu 1787 Grant Green Idle Moments 1963 Rar Info
A slow-burn masterpiece in C minor that defines the record’s mood.
Green's guitar playing on "Idle Moments" is characterized by its warm, full-bodied tone and an effortless melodic sense. Unlike some of his contemporaries who might have relied on rapid-fire virtuosity, Green's approach is deeply rooted in melody and feel. His solos are thoughtful and lyrical, often appearing as if he's having a conversation through his instrument. This approach not only endears him to listeners but also elevates the music to a level of accessibility and emotional resonance that few of his peers could match.
On November 15, 1963 — just a week before the Kennedy assassination — Green assembled a sextet of luminaries: Joe Henderson (tenor sax), Bobby Hutcherson (vibraphone), Duke Pearson (piano), Bob Cranshaw (bass), and Al Harewood (drums). Originally intended as a short blues, “Idle Moments” stretched to nearly 15 minutes due to Pearson’s slow, haunting chord progression. Producer Alfred Lion wisely kept the take.
A slow-burning, melancholic blues in C minor. Green’s opening solo is a masterclass in economy of phrasing—not a single note is wasted. Hutcherson’s vibes provide a shimmering, translucent backdrop, while Henderson plays with a breathtakingly gentle restraint. rmu 1787 grant green idle moments 1963 rar
RMU 1787, Grant Green, Idle Moments, 1963, rar, Blue Note, vinyl rip, FLAC, Rudy Van Gelder.
The title track, "Idle Moments" (composed by pianist Duke Pearson), is famously known for a beautiful mistake that reshaped jazz history. Originally intended to be a much shorter piece, Grant Green accidentally doubled his solo, playing for . Idle Moments - Grokipedia
Producer initially requested a retake to fit the standard seven-minute radio limit, but the group couldn't recapture the "special feeling" of the original take. Ultimately, Lion decided to release the long version, which has since become one of the most famous tracks in jazz history. The Dream Team Lineup A slow-burn masterpiece in C minor that defines
Recorded on April 2, 1963, "Idle Moments" brings together Grant Green on guitar, Don Wilkerson on tenor saxophone, Mulgrew Coleman on piano, George Duvivier on bass, and Dannie Richmond on drums. This quintet delivers a performance that is both introspective and explosively creative, showcasing the mature and thoughtful approach Green had developed by this point in his career. The album's title, "Idle Moments," reflects the relaxed, almost casual demeanor of the music, which belies the technical prowess and deep musicality on display.
Today, "Idle Moments" is regarded as one of Grant Green's greatest achievements, a timeless classic that continues to inspire and influence musicians across genres. Its rarity and cult status have only added to its allure, making it a prized possession among collectors and jazz enthusiasts. The reissue of this album, often referred to as "RMU 1787", has allowed a new generation of listeners to experience the beauty and introspection of Green's music.
The chemistry of this ensemble allowed for unprecedented spatial awareness and patience. The title track, "Idle Moments," was originally intended to be a standard length but stretched out to nearly fifteen minutes. Rather than stopping the tape, Alfred Lion let the music breathe. The resulting track is a masterclass in nocturnal atmosphere, driven by Hutcherson’s shimmering vibes, Pearson’s understated chords, and Green’s impeccably paced, melodic soloing. Decoding "RMU 1787": The Collector's Context His solos are thoughtful and lyrical, often appearing
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This combination of Hutcherson’s icy, floating vibes, Henderson’s muscular yet avant-garde leaning saxophone, and Pearson’s elegant piano arrangements shifted Green out of his comfort zone. Instead of a standard soul-jazz date, they created a nocturnal, atmospheric modal masterpiece. The Magic Accident of the Title Track
The timeless sound of Idle Moments is also a testament to its legendary recording engineer, . The album was recorded over two sessions in November 1963 (on the 4th and 15th) at his iconic studio in Englewood Cliffs, New Jersey. This studio was the sonic birthplace of countless Blue Note classics, and Van Gelder's engineering is celebrated for its incredible clarity, warmth, and presence. Many reissues, including the "Rudy Van Gelder Edition," feature his 24-bit remastering, which brings an even greater level of detail to this already stunning recording.