The film then cuts between reality and fantasy. Marina explains her vision to her screenwriter, Giuliano, and her secretary, Cecilia, as she imagines the transgressive scenes she is describing. We see the fantasies unfold: Marina performing fellatio on the horse Principe, Cecilia being kidnapped and assaulted by Giuliano and another man, and a series of increasingly explicit sequences that push the boundaries of taste and legality.
: The narrative is framed as a story within a story. Marina, seeking to retire, works with a screenwriter named Giuliano to prepare a final, perverse script that reflects her desires. Sequel Information Marina e la sua bestia 2 (Video 1985) - Full cast & crew streaming film marina e la sua bestia full
The film follows a simple narrative: , playing a version of herself, is contemplating retirement from the film industry . Before she leaves, she wishes to create one final film involving her beloved stallion, Principe . She recruits a screenwriter named Giuliano to draft the script, and the movie progresses through a series of "perverse scenes" narrated by the screenwriter . 👥 Key Cast and Crew Marina Hedman: Marina Giuliano Rosati: Giuliano Ciro Masposito: The Producer Denise Dior: Paola Writer: Luigi Grosso Production Company: Lucky Book 🖥️ Availability and Streaming The film then cuts between reality and fantasy
The story follows Marina as she navigates challenging circumstances, confronting a "beast" that represents fear, toxicity, or personal trauma. : The narrative is framed as a story within a story
However, a crucial detail that emerged after the film's release somewhat mitigates its most extreme content. The infamous scene where Marina performs fellatio on the stallion, Principe, was . It was later revealed that a wooden prosthesis was used in place of the horse's actual anatomy. A source from the time notes that the film presents the actress in simulated zoophilic scenes, but they were achieved using plastic prosthetics. This fact has not lessened the film's notoriety but adds a layer of cinematic trickery to its legacy. Despite this revelation, the film remains banned in many countries and is considered a prime example of the extreme "mondo" and exploitation genres.
Much of Bergonzelli’s filmography exists in a legal "gray zone." While some boutique labels like Vinegar Syndrome or Severin Films occasionally restore these types of classics, many remain unlicensed.
Google Play Movies, Apple TV, and YouTube Movies often carry a broad catalog of films that may not be available on subscription services.